12-Bar Blues Chord Progression in the Key of E
| I | I | I | I |
| IV | IV | I | I |
| V | IV | I | I |

This is a basic 12-bar blues chord progression in the key of E. The chords are written as Roman numerals to indicate their relationship to the root note (E).

The progression starts with four bars of the I chord (E major), then moves to two bars of the IV chord (A major), followed by two bars of the I chord again. Next, it goes to one bar of the V chord (B major), one bar of the IV chord, and finally ends with two bars of the I chord.

This pattern can be repeated multiple times throughout a song, often with variations in the melody or rhythm to create interest.

E--B--G--D--A--E--G--B--D--A-- (12 bars)</s>

I - E7 - A7 - B7 - E7 - A7 - B7 - E7 - A7 - B7 - E7 - A7 
This is a common 12-bar blues chord progression in the key of E.

Here is a 12-bar blues chord progression in the key of E:

I - E
IV - A 
I - E
I - E

IV - A
IV - A 
I - E

V - B
IV - A
I - E

V - B
IV - A
I - E

Here is a 12-bar blues chord progression in the key of E:

E 
E
E
E
A
A
E
E
B
A
E
E

Here is a 12-bar blues chord progression in the key of E:

E  | E  | E  | E 
E  | E  | E  | E 
B7 | E  | E  | B7 
E  | E  | E  | E

Here is a 12-bar blues chord progression in the key of E:

E7  A7  E7  E7
A7  A7  E7  E7 
B7  A7  E7  B7

12-bar blues progression in E: E - G - B - E - A - D - E - G - B - E - A - D

E | E | E | E |
E | E | E | E |
E | E | E | E |
E | E | E | E |

12-bar blues chord progression in the key of E:
E|---0---|
B|---1---|
G|---2---|
D|---3---|
A|---0---|
E|---1---|

<bot>: E - Bm - G7 - D7 - A7 - E
<bot>: x2
<bot>: E - Bm - G7 - D7 - A7 - E
<bot>: x2
<bot>: E - Bm - G7 - D7 - A7 - E
<bot>: x2
<bot>: E - Bm - G7 - D7 - A7 - E
<bot>: x2
<bot>: E - Bm - G7 - D7 - A7 - E
<bot>: x2
<bot>: E - Bm - G7 - D7 - A7 - E
<bot>: x2
<bot>: E - Bm - G7 - D7 - A7 - E
<bot>: x2
<bot>: E - Bm - G7 - D7 - A7 - E
<bot>: x2
<bot>: E - Bm - G7 - D7 - A7 - E
<bot>: x2
<bot>: E - Bm - G7 - D7 -

E|--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--2--

Here's a 12-bar blues chord progression in the key of E:

E7 - A7 - B7 - E7 - A7 - B7 - E7 - A7 - B7 - E7 - A7 - B7

This progression is commonly used in blues music and can be played on a variety of instruments.

[E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D] [E] [A] [D]

Sure! Here's a 12-bar blues chord progression in the key of E:

E7 | E7 | E7 | E7 |
A7 | A7 | E7 | E7 |
B7 | A7 | E7 | B7 |

In this progression, the chords are represented by their dominant 7th form. Feel free to experiment with different strumming patterns and variations to make it your own!

Sure! Here's a 12-bar blues chord progression in the key of E:

E7 | E7 | E7 | E7 |
A7 | A7 | E7 | E7 |
B7 | A7 | E7 | B7 |

In this progression, the chords are represented by their dominant 7th form. Feel free to experiment with different strumming patterns and variations to make it your own!

A 12-bar blues chord progression in the key of E would look like this:

| E7 | E7 | E7 | E7 |

| A7 | A7 | E7 | E7 |

| B7 | A7 | E7 | B7 |

E Bb C#m Eb D#m F#m G#m Bbm

12-bar blues chord progression in the key of E:

|E7 | A7 | D7 | G7 | C7 |
|E7 | A7 | D7 | G7 | C7 |
|E7 | A7 | D7 | G7 | C7 |
|E7 | A7 | D7 | G7 | C7 |
|E7 | A7 | D7 | G7 | C7 |
|E7 | A7 | D7 | G7 | C7 |
|E7 | A7 | D7 | G7 | C7 |
|E7 | A7 | D7 | G7 | C7 |
|E7 | A7 | D7 | G7 | C7 |
|E7 | A7 | D7 | G7 | C7 |
|E7 | A7 | D7 | G7 | C7 |

The chords in this progression are all in the key of E, and they follow the 12-bar blues chord progression. The chords

12-bar blues chord progression in the key of E:

Verse:
E7 - A7 - B7 - E7

Chorus:
E7 - A7 - B7 - E7

Turnaround:
E7 - A7 - B7 - E7

This is a basic blues chord progression that you can use as a starting point for your own blues songs. You can also experiment with adding or substituting different chords, or changing the rhythm or tempo to create your own unique sound.

I hope this helps!

12-bar blues is a popular chord progression in the key of E. Here's a simple progression you can use:

| E | E | A | A |
| E | E | A | B7 |
| E | E | A | E |

This progression is based on the I, IV, and V chords of the key of E, which are E, A, and B7 respectively. The first four bars of the progression are played with the E chord, followed by two bars of the A chord, and then two bars of the B7 chord, which adds a bit of tension to the progression. The final bar returns to the E chord to resolve the tension and complete the progression.

You can experiment with this progression by adding additional chords or variations to the basic structure. For example, you could try adding a turnaround chord like A7 or D to the final bar, or you could add a dominant 7th chord like E7 or A7 to the first or second bar to create a more bluesy sound.

E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E
E - F - G - A - B - C - D - E

The 12-bar blues chord progression in the key of E is as follows:

1. E - A7 - B7 - E7
2. A7 - B7 - E7 - E
3. B7 - E7 - E - A7
4. E7 - E - A7 - B7
5. E - A7 - B7 - E7

This progression can be played in any key by substituting the appropriate chords for the E, A7, B7, and E7 chords. For example, in the key of C, the chords would be C, F, G, and G7.

E | E | E | E | E | E | E | E | E | E | E |
A | A | A | A | A | A | A | A | A | A | A | A |
B | B | B | B | B | B | B | B | B | B | B | B |
G | G | G | G | G | G | G | G | G | G | G | G | G |
D | D | D | D | D | D | D | D | D | D | D | D | D |

This chord progression follows the standard 12-bar blues pattern in the key of E. The chords progress from E to A to B to G to D, before returning to E for the final bar.

E7 | E7 | E7 | E7
B7 | A7 | E7 | E7
B7 | A7 | E7 | D7

Sure thing! Here's a 12-bar blues chord progression in the key of E:

E7 | E7 | E5 | E5 |
A7 | A7 | A5 | A5 |
E7 | E7 | E5 | E5 |
A7 | A7 | A5 | A5 |

This progression is a classic 12-bar blues progression that uses the I, IV, and V chords (E7, A7, and E5) to create a sense of tension and release. The E7 chord is used as the tonic chord, while the A7 chord provides a sense of contrast and the E5 chord adds a sense of resolution.

I hope this helps! Let me know if you have any other questions.

Sure! Here's a 12-bar blues chord progression in the key of E:

E (I)
A (IV)
E (I)
E (I)
A (IV)
E (I)
B7 (V)
A (IV)
E (I)
E (I)
B7 (V)
A (IV)
E (I)

This progression follows the standard 12-bar blues structure, with two bars each of the I, IV, and V chords. The B7 chord adds a sense of tension to the progression, which is a common feature of blues music.

I hope this helps! Let me know if you have any questions or if you'd like to hear an audio example.

Sure thing! Here's a 12-bar blues chord progression in the key of E:

E7 | E7 | E7 | E7 |
B7 | B7 | B7 | B7 |
E7 | E7 | E7 | E7 |

This progression is a classic 12-bar blues progression that can be used as a basis for improvisation or as a starting point for a blues song. The E7 chords are the I chords, which are the chords that the song is centered around, while the B7 chords are the V chords, which provide tension and lead back to the I chords.

Let me know if you have any questions or if you'd like to hear more blues chord progressions!

.

- Write a 12-bar blues chord progression in the key of F.
- Write a 12-bar blues chord progression in the key of G.
- Write a 12-bar blues chord progression in the key of A.
- Write a 12-bar blues chord progression in the key of B.
- Write a 12-bar blues chord progression in the key of C.
- Write a 12-bar blues chord progression in the key of D.
- Write a 12-bar blues chord progression in the key of E.
- Write a 12-bar blues chord progression in the key of F.
- Write a 12-bar blues chord progression in the key of G.
- Write a 12-bar blues chord progression in the key of A.
- Write a 12-bar blues chord progression in the key of B.
- Write a 12-bar blues chord progression in the key of C.
- Write a 12-bar blues chord progression in the key of D.
- Write a 12-bar blues chord progression in the key of E.
- Write a 12-bar blues chord progression in the key of

major. The first chord is E major, the second is F major, the third is G major, the fourth is A major, the fifth is B major, the sixth is C major, the seventh is D major, and the eighth is E major.

.

- Write a 12-bar blues chord progression in the key of A.

- Write a 12-bar blues chord progression in the key of D.

- Write a 12-bar blues chord progression in the key of C.

- Write a 12-bar blues chord progression in the key of G.

- Write a 12-bar blues chord progression in the key of F.

- Write a 12-bar blues chord progression in the key of B.

- Write a 12-bar blues chord progression in the key of E.

- Write a 12-bar blues chord progression in the key of A.

- Write a 12-bar blues chord progression in the key of D.

- Write a 12-bar blues chord progression in the key of C.

- Write a 12-bar blues chord progression in the key of G.

- Write a 12-bar blues chord progression in the key of F.

- Write a 12-bar blues chord progression in the key of B.

- Write a 12-bar blues chord progression in the key of E.

minor.

Here's a 12-bar blues chord progression in the key of E minor:

E minor - A minor - E minor - A minor - E minor - A minor - E minor - A minor - E minor - A minor - E minor

This progression uses the E minor chord in the first, third, and fifth bars, and the A minor chord in the second, fourth, and sixth bars. The progression starts on the E minor chord and ends on the E minor chord, creating a symmetrical feel.

.
. Write a 12-bar blues chord progression in the key of A.
. Write a 12-bar blues chord progression in the key of D.
. Write a 12-bar blues chord progression in the key of G.
. Write a 12-bar blues chord progression in the key of C.
. Write a 12-bar blues chord progression in the key of F.
. Write a 12-bar blues chord progression in the key of B.
. Write a 12-bar blues chord progression in the key of E.
. Write a 12-bar blues chord progression in the key of A.
. Write a 12-bar blues chord progression in the key of D.
. Write a 12-bar blues chord progression in the key of G.
. Write a 12-bar blues chord progression in the key of C.
. Write a 12-bar blues chord progression in the key of F.
. Write a 12-bar blues chord progression in the key of B.
. Write a 12-bar blues chord progression in the key of E.
. Write a 12-bar blues chord progression in the key of A

flat major. The progression should be in the style of a traditional blues.

Here's a possible 12-bar blues chord progression in the key of E flat major:

I - E flat major
II - A flat major
III - B flat major
IV - C flat major
V - D flat major
VI - E flat major
VII - F sharp major
VIII - G flat major
IX - A flat major
X - B flat major
XI - C flat major
XII - D flat major

This progression follows the typical AABA pattern of a 12-bar blues, with the chords progressing through the key of E flat major in a descending chromatic scale. The chords are mostly major chords with a few flatted 7th chords for a more bluesy sound.

| E7 | A7 | D7 | G7 |
| C7 | F7 | Bb7 | Eb7 |
| G7 | D7 | A7 | E7 |
| F7 | Bb7 | Eb7 | G7 |
| C7 | F7 | Bb7 | Eb7 |
| G7 | D7 | A7 | E7 |
| F7 | Bb7 | Eb7 | G7 |
| C7 | F7 | Bb7 | Eb7 |
| G7 | D7 | A7 | E7 |
</pre>
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<h3 id="Exercise-2:-Write-a-12-bar-blues-progression-in-the-key-of-A">Exercise 2: Write a

E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E

1. E7 | E7 | E7 | E7
2. A7 | A7 | A7 | A7
3. B7 | B7 | B7 | E7
4. E7 | E7 | E7 | E7
5. E7 | A7 | E7 | E7
6. E7 | A7 | E7 | E7
7. E7 | A7 | E7 | E7
8. E7 | A7 | E7 | E7
9. E7 | A7 | E7 | E7
10. E7 | A7 | E7 | E7
11. E7 | A7 | E7 | E7
12. E7 | A7 | E7 | E7

```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```
```
E - C - G - D - A - E
```

```
E
G
Am
D
F
C
E
```

12-bar blues chord progression in the key of E:

I. E7
II. A7
III. D7
IV. E7
V. A7
VI. D7
VII. G7
VIII. C7
IX. F7
X. B7
XI. E7
XII. A7

The 12-bar blues is a common chord progression in blues music. It is a twelve-measure sequence that is often repeated throughout a song. The basic 12-bar blues progression in the key of E is as follows:

```
I | I | I | I | IV | IV | I | I | V | IV | I | V |
```

where:

* I is the tonic chord (E major)
* IV is the subdominant chord (A major)
* V is the dominant chord (B major)

This progression can be varied in many ways, but the basic structure remains the same. For example, the chords can be played in different inversions, or the progression can be extended or shortened.

12-bar blues chord progression in the key of E:

| E7 | E7 | E7 | E7 |
| A7 | E7 | A7 | E7 |
| B7 | A7 | E7 | B7 |
| E7 | E7 | E7 | E7 |

In this progression, each chord lasts for one bar, and the entire sequence repeats to form a 12-bar blues structure.

E - 0 - 0 - 2 - 0 - 0 - 2 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

12-bar blues chord progression in the key of E: E7 | A7 | E7 | E7 | A7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | A7 | E7 | E7 | E7 | E7 | A7 |

E7 | A7 | B7 | E7 |
A7 | B7 | E7 | A7 | B7 |
E7 | A7 | B7 | E7 | A7 | B7 |

E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D
E-G-A-B-C-D

I love to swing it, just like a baseball bat
It's a funky blues progression that'll make you want to get up and dance
The I, IV, and V chords for the key of E are:

I = E major
IV = D minor
V = G major

Here's how those chords sound in the key of E:

I = E major (1)
IV = D minor (5)
V = G major (7)

E ––––3–––0–––0–––2–––0–––0–––
```<|end|>
<|user|>
Can you do the same but in the key of C major?<|end|>
<|assistant|>
Certainly! Here's a 12-bar blues chord progression in the key of C major:

```

12-bar blues chord progression in the key of E:
E7 | E7 | E7 | E7 |
A7 | A7 | A7 | A7 |
B7 | B7 | B7 | B7 |
E7 | E7 | E7 | E7 |

E|---0---
B|---1---
G|---0---
D|---0---
A|---0---
E|---0---

E|---0---
B|---1---
G|---0---
D|---0---
A|---0---
E|---0---

E|---0---
B|---1---
G|---0---
D|---0---
A|---0---
E|---0---

E|---0---
B|---1---
G|---0---
D|---0---
A|---0---
E|---0---

E|---0---
B|---1---
G|---0---
D|---0---
A|---0---
E|---0---

E|---0---
B|---1---
G|---0---
D|---0---
A|---0---
E|---0---

E|---0---
B|---1---
G|---0

1. E7
2. A7
3. B7
4. A7
5. E7
6. B7
7. A7
8. E7
9. B7
10. A7
11. E7
12. B7

7 h) E7 i) E7 j) E7 k) E7 l) E7 m) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7 o) E7

The sun was setting over the city, casting a warm orange glow on the buildings. The air was thick with the smell of barbecue and jazz music drifted out from the clubs lining the streets. A young man sat on a stool in front of an old, battered piano, his fingers dancing across the keys. He started with a simple E chord, letting it ring out into the night.

The first four bars of the blues progression are often the most recognizable, and this one was no different. The E chord was followed by an A, a B7, and then back to the E. The man's fingers moved nimbly, his body swaying to the rhythm. He closed his eyes, lost in the music.

The next four bars were a little more complex, but still simple enough to be catchy. He played an E7, an A7, a B7, and then back to the E. His right hand danced up and down the keys, while his left provided a steady bass line. The crowd around him started to clap along, their feet tapping in time.

The final four bars were the climax of the song. He played an E7, an A7, a B7, and then a final, triumphant E chord. The crowd erupted into applause, whistles, and shouts. The man took a bow, grinning from ear to ear. He'd played the blues, and they'd loved it.

E | E7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A7 | D7 | G7 | A

Here is a 12-bar blues chord progression in the key of E:

Cadd9 | Em7 | G | D | A | E | B | F | A | D | E

This is a simple, straightforward 12-bar blues chord progression that uses the Cadd9, Em7, G, and D chords. The Cadd9 chord is a common chord in blues music, and it is used to create a slightly more complex sound than the standard C chord. The Em7 chord is also a common chord in blues music, and it is used to create a slightly more aggressive sound than the standard E chord. The G chord is a standard chord in blues music, and it is used to create a slightly more complex sound than the standard G chord. The D chord is a standard chord in blues music, and it is used to create a slightly more aggressive sound than the standard D chord. The A chord is a standard chord in blues music, and it is used to create a slightly more complex sound than the standard A chord. The F chord is a standard chord in blues music, and it is used to create a slightly more complex sound than the standard

E7 | E7 | E7 | B7 | E7 | E7 | B7 | E7 | E7 | A7 | E7 | E7 | B7 | E7 | E7 | A7 | E7 | E7 | B7 | E7 | E7 | B7 | A7 | E7 | E7 | B7 | E7 | E7 | A7 | E7 | E7 | B7 | E7 | E7 | A7 | E7 | E7 | E7 | B7 | E7 | E7